Content
Video Production & Editing
Short-form built to hold attention and to be cut a dozen ways.
- Openings that hold attention past the point where most videos lose it
- A single shoot cut into many usable assets and aspect ratios
- Motion graphics that explain a product without a voiceover
Feed video is won or lost in the first two seconds, and the rest of the edit only matters to people who stayed. We script for the hook first, shoot for the crop, and build every production so that one day of filming produces a library rather than a single film.
What this covers
- Reels & short-form editing
- Model video shoots
- UGC video
- PR & corporate video
- Influencer collaboration video
- Motion graphics
- Voice-over & subtitling
What you should get
- Openings that hold attention past the point where most videos lose it
- A single shoot cut into many usable assets and aspect ratios
- Motion graphics that explain a product without a voiceover
- Subtitled, sound-off-legible edits — how most of your audience will watch
Method
How we run video production & editing
- 01
Script the first two seconds hardest
The hook is written, tested against alternatives and often reshot. Everything after it is comparatively easy.
- 02
Shoot once, cut many
Coverage is planned so that a day of production yields a month of posting, including alternative hooks for paid testing.
- 03
Edit for sound-off
Subtitles, on-screen type and visual clarity assume the audio is muted, because for most viewers it is.
- 04
Hand back the rushes
Organised source footage is part of delivery, so you are not renting access to your own material.
Deliverables
What lands in your hands
Everything below is yours at handover — files, accounts and documentation included.
- Concept and script written to a hook, with the beat structure defined
- Shot list and production plan, including on-site direction in Dhaka
- Filming with lighting and sound appropriate to the format
- Editing, colour, sound mix, motion graphics and burned-in subtitles
- Exports in 9:16, 1:1 and 16:9 with per-platform specifications
- Organised source footage handed over for future re-cutting
Engagement
How this one is bought
Priced per deliverable, because a scripted shoot and a re-cut of supplied footage are different products. Ad spend and talent licensing are quoted separately.
Published rates for this service are being re-confirmed. Rather than leave figures on the site that may no longer be current, we quote after a short scoping conversation — which produces a more accurate number anyway.
Ad spend, talent licensing and third-party fees are always quoted separately and never marked up.
Questions
Asked often enough to answer here
Often bought alongside
One shoot, a season of assets
Tell us what you are launching and how often you need to post. We will plan the production backwards from that, so the day pays for itself more than once.